Refers to the phase of the Nara period that developed from approximately 756 to 784. In sculpture, the style is characterized by a more weighty and dignified type of figure, with an over-simplified articulation of form and less defined drapery. In bronze, the greatest achievement during this period was the Great Buddha of Tōdaiji, which does not exist today. Small bronzes associated with Tōdaiji, such as lanterns, are fine examples of low relief casting and feature flying drapery and fine lines. Paintings from this period are few, however records from the Shōsōin tell of a high degree of sophistication in screen painting. Scroll paintings from this period were done in a style already antiquated in the eighth century, with the narrative picture placed directly over text.