<?xml version="1.0" encoding="utf-8"?><Thesaurus
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	xsi:schemaLocation="http://schemas.bs8723.org/XmlSchema/DD8723-5.xsd">	 <dc:identifier>http://AATesaurus.cultura.gencat.cat/aat/getty_en</dc:identifier>  <dc:title>Tesaurus d&apos;Art i Arquitectura</dc:title>  <dc:creator>Getty Institute</dc:creator>  <dc:subject></dc:subject>  <dc:description><![CDATA[  ]]></dc:description>  <dc:publisher>Getty Institute</dc:publisher>  <dc:date>0000-00-00</dc:date>  <dc:language>en</dc:language><ThesaurusConcept dc:identifier="http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31453492">	<dcterms:created>2026-03-30 20:57:04</dcterms:created><PreferredTerm dc:identifier="http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31453492" xml:lang="en">	<LexicalValue>Deogarh</LexicalValue>	<dcterms:created>2026-03-30 20:57:04</dcterms:created></PreferredTerm><ScopeNote xml:lang="en">  <LexicalValue><![CDATA[ Refers to a regional school of Rajasthani miniature painting centered around Deogarh that was an offshoot of Mewar painting; it flourished in the late eighteenth century when the quality of work at the parent Mewar court had declined. A deliberate return to pre-Muslim conventions is evident, particularly in the strong use of color and distorting treatment of figures (e.g. fish-shaped eyes, oversized heads). Other noteworthy characteristics of Deogarh painting include dreamy eyes, inflated bodies, very particular types of dress, brusquely painted forms, and a fondness for muddy colors, especially greens. Deogarh artists often created a sense of perspective in their miniature paintings by reducing the size of distant objects. ]]></LexicalValue></ScopeNote><HasHierRelConcept Role="BT">http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31434220</HasHierRelConcept></ThesaurusConcept></Thesaurus>