<?xml version="1.0" encoding="utf-8"?><metadata xmlns:dc="http://purl.org/dc/elements/1.1/"  xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/"><dc:title xml:lang="en">color mixture</dc:title><dc:identifier>http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31312448</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="en">Getty Institute</dc:publisher><dcterms:created>2026-03-30 20:24:11</dcterms:created><dcterms:isPartOf xsi:type="dcterms:URI">http://AATesaurus.cultura.gencat.cat/aat/getty_en</dcterms:isPartOf><dcterms:isPartOf xml:lang="en">Tesaurus d&apos;Art i Arquitectura</dcterms:isPartOf><dc:format>text/html</dc:format> <dcterms:alternative xml:lang="en">colourant mixture</dcterms:alternative> <dcterms:alternative xml:lang="en">mixture, colour</dcterms:alternative> <dcterms:alternative xml:lang="en">colorant mixture</dcterms:alternative> <dcterms:alternative xml:lang="en">mixture, color</dcterms:alternative> <dcterms:alternative xml:lang="en">mixture, optical</dcterms:alternative> <dcterms:alternative xml:lang="en">optical mixture</dcterms:alternative> <dc:description xml:lang="en"><![CDATA[ In visual art theory and practice, effects obtained by the juxtaposition of different colors and shades and tones of the same color, as opposed to mixing the paints of pigments before applying them. For instance, Neo-Impressionist painters obtained secondary colors of enhanced brilliance by juxtaposing dabs of the primary colors that constitute the secondary color. ]]></dc:description></metadata>