<?xml version="1.0" encoding="utf-8"?><metadata xmlns:dc="http://purl.org/dc/elements/1.1/"  xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/"><dc:title xml:lang="en">New Topographics</dc:title><dc:identifier>http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31313843</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="en">Getty Institute</dc:publisher><dcterms:created>2026-03-30 20:24:35</dcterms:created><dcterms:isPartOf xsi:type="dcterms:URI">http://AATesaurus.cultura.gencat.cat/aat/getty_en</dcterms:isPartOf><dcterms:isPartOf xml:lang="en">Tesaurus d&apos;Art i Arquitectura</dcterms:isPartOf><dc:format>text/html</dc:format> <dcterms:alternative xml:lang="en">New Topographics</dcterms:alternative> <dc:description xml:lang="en"><![CDATA[ Describes a photographic movement identified in an exhibition organized by William Jenkins at the International Museum of Photography at George Eastman House, Rochester, NY (Dec 1975–Feb 1976). Included were ten photographers: Robert Adams, Lewis Baltz, Bernd Becher and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon , John Schott, Stephen Shore, and Henry Wessel Jr. Jenkins posited that these photographers observed the American landscape with a clinical objectivity rather than a Romantic or Symbolist sensibility that had marked earlier representations. ]]></dc:description></metadata>