<?xml version="1.0" encoding="utf-8"?><metadata xmlns:dc="http://purl.org/dc/elements/1.1/"  xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/"><dc:title xml:lang="en">slipware</dc:title><dc:identifier>http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31321762</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="en">Getty Institute</dc:publisher><dcterms:created>2026-03-30 20:26:45</dcterms:created><dcterms:isPartOf xsi:type="dcterms:URI">http://AATesaurus.cultura.gencat.cat/aat/getty_en</dcterms:isPartOf><dcterms:isPartOf xml:lang="en">Tesaurus d&apos;Art i Arquitectura</dcterms:isPartOf><dc:format>text/html</dc:format> <dcterms:alternative xml:lang="en">slip ware</dcterms:alternative> <dc:description xml:lang="en"><![CDATA[ A general term for wares decorated predominantly with one or more clay slips of greater or lesser iron content than the body clay. The slip clays fire to a contrasting color or shade from that of the body. Slipware can be decorated by pouring, dipping, painting, daubing or trailing slips on to the unfired, or sometimes once-fired, body. After it is applied, the slip can be manipulated by twisting the piece, by combing or feathering the slip into more regular designs or, after drying to a tacky consistency, can be carved in the sgraffito technique. Dipping, trailing, and marbling are other common techniques used for slip-decorated ceramics. The application of slip almost always precedes glazing. ]]></dc:description></metadata>