<?xml version="1.0" encoding="utf-8"?><metadata xmlns:dc="http://purl.org/dc/elements/1.1/"  xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/"><dc:title xml:lang="en">encarnacione</dc:title><dc:identifier>http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31371424</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="en">Getty Institute</dc:publisher><dcterms:created>2026-03-30 20:40:10</dcterms:created><dcterms:isPartOf xsi:type="dcterms:URI">http://AATesaurus.cultura.gencat.cat/aat/getty_en</dcterms:isPartOf><dcterms:isPartOf xml:lang="en">Tesaurus d&apos;Art i Arquitectura</dcterms:isPartOf><dc:format>text/html</dc:format> <dcterms:alternative xml:lang="en">carnation</dcterms:alternative> <dcterms:alternative xml:lang="en">encarnado</dcterms:alternative> <dc:description xml:lang="en"><![CDATA[ Technique involving the working of the surface of certain areas of a painting or polychromed carved figure to imitate the color and shading of human flesh; usually referring to Caucasian flesh color. The term was first coined in reference to Spanish art, but may be applied to any western art; particularly in use prior to the early 1900s. In some cases, certain artists specialized in encarnacione, while other artists would paint drapery, landscape, and other areas of the work. ]]></dc:description></metadata>