<?xml version="1.0" encoding="utf-8"?><metadata xmlns:dc="http://purl.org/dc/elements/1.1/"  xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/"><dc:title xml:lang="en">Deogarh</dc:title><dc:identifier>http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31453492</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="en">Getty Institute</dc:publisher><dcterms:created>2026-03-30 20:57:04</dcterms:created><dcterms:isPartOf xsi:type="dcterms:URI">http://AATesaurus.cultura.gencat.cat/aat/getty_en</dcterms:isPartOf><dcterms:isPartOf xml:lang="en">Tesaurus d&apos;Art i Arquitectura</dcterms:isPartOf><dc:format>text/html</dc:format> <dc:description xml:lang="en"><![CDATA[ Refers to a regional school of Rajasthani miniature painting centered around Deogarh that was an offshoot of Mewar painting; it flourished in the late eighteenth century when the quality of work at the parent Mewar court had declined. A deliberate return to pre-Muslim conventions is evident, particularly in the strong use of color and distorting treatment of figures (e.g. fish-shaped eyes, oversized heads). Other noteworthy characteristics of Deogarh painting include dreamy eyes, inflated bodies, very particular types of dress, brusquely painted forms, and a fondness for muddy colors, especially greens. Deogarh artists often created a sense of perspective in their miniature paintings by reducing the size of distant objects. ]]></dc:description></metadata>