<?xml version="1.0" encoding="utf-8"?><metadata xmlns:dc="http://purl.org/dc/elements/1.1/"  xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/"><dc:title xml:lang="en">printing-out paper</dc:title><dc:identifier>http://AATesaurus.cultura.gencat.cat/aat/getty_en?tema=31455811</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="en">Getty Institute</dc:publisher><dcterms:created>2026-03-30 21:02:41</dcterms:created><dcterms:isPartOf xsi:type="dcterms:URI">http://AATesaurus.cultura.gencat.cat/aat/getty_en</dcterms:isPartOf><dcterms:isPartOf xml:lang="en">Tesaurus d&apos;Art i Arquitectura</dcterms:isPartOf><dc:format>text/html</dc:format> <dcterms:alternative xml:lang="en">P.O.P.</dcterms:alternative> <dcterms:alternative xml:lang="en">POP</dcterms:alternative> <dcterms:alternative xml:lang="en">print out paper</dcterms:alternative> <dcterms:alternative xml:lang="en">print-out paper</dcterms:alternative> <dcterms:alternative xml:lang="en">printing-out papers</dcterms:alternative> <dc:description xml:lang="en"><![CDATA[ Photographic paper coated with silver-chloride emulsions, typically made of gelatin but sometimes of collodion. It was designed for the production of a photographic print from a negative by the action of light alone on light-sensitive material, rather than by development using chemicals. It was in general use, particularly for portraiture, from the 1880s until the late 1920s when developing-out paper became more popular. Because the paper needed to be in contact with the negative until the image was completely visible, a second print could not be started until the first was complete. Photographs made on printing-out paper can have either glossy or matte surfaces and typically have warm image tones. ]]></dc:description></metadata>