<?xml version="1.0" encoding="utf-8"?><mads xmlns="http://www.loc.gov/mads/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mads/
mads.xsd"><authority><topic authority="http://AATesaurus.cultura.gencat.cat/aat/getty_en">color mixture</topic></authority><related type="narrower"><topic>additive mixture</topic></related><related type="narrower"><topic>subtractive mixture</topic></related><related type="broader"><topic>color-related effects</topic></related><variant type="other"><topic>colourant mixture</topic></variant><variant type="other"><topic>mixture, colour</topic></variant><variant type="other"><topic>colorant mixture</topic></variant><variant type="other"><topic>mixture, color</topic></variant><variant type="other"><topic>mixture, optical</topic></variant><variant type="other"><topic>optical mixture</topic></variant> <note xml:lang="en"><![CDATA[ In visual art theory and practice, effects obtained by the juxtaposition of different colors and shades and tones of the same color, as opposed to mixing the paints of pigments before applying them. For instance, Neo-Impressionist painters obtained secondary colors of enhanced brilliance by juxtaposing dabs of the primary colors that constitute the secondary color. ]]></note></mads>