<?xml version="1.0" encoding="utf-8"?><mads xmlns="http://www.loc.gov/mads/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mads/
mads.xsd"><authority><topic authority="http://AATesaurus.cultura.gencat.cat/aat/getty_en">pixilation</topic></authority><related type="other"><topic>stop-motion photography</topic></related><related type="broader"><topic>animation</topic></related><variant type="other"><topic>pixilated animation</topic></variant><variant type="other"><topic>pixilation animation</topic></variant><variant type="other"><topic>pixilation process</topic></variant><variant type="other"><topic>pixillated animation</topic></variant><variant type="other"><topic>pixillation</topic></variant><variant type="other"><topic>pixillation animation</topic></variant><variant type="other"><topic>pixillation process</topic></variant> <note xml:lang="en"><![CDATA[ Animation technique in which humans or objects are filmed incrementally in various fixed poses or positions, creating an unnatural or surreal effect when projected at normal speed. The technique was first used by Canadian filmmaker Norman McLaren in his 1952 short film "Neighbours." ]]></note></mads>