<?xml version="1.0" encoding="utf-8"?><mads xmlns="http://www.loc.gov/mads/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mads/
mads.xsd"><authority><topic authority="http://AATesaurus.cultura.gencat.cat/aat/getty_en">linear perspective</topic></authority><related type="narrower"><topic>two-point perspective</topic></related><related type="narrower"><topic>three-point perspective</topic></related><related type="narrower"><topic>one-point perspective</topic></related><related type="narrower"><topic>oblique perspective</topic></related><related type="broader"><topic>perspective</topic></related><related type="broader"><topic>projection</topic></related><variant type="other"><topic>Renaissance perspective</topic></variant><variant type="other"><topic>artificial perspective</topic></variant><variant type="other"><topic>legitimate construction</topic></variant><variant type="other"><topic>mechanical perspective</topic></variant><variant type="other"><topic>perspective, linear</topic></variant> <note xml:lang="en"><![CDATA[ Refers to the system of perspective in which orthogonals converge toward one or more vanishing points. In Western art, the term often refers to the system of one-point perspective that was developed in the Italian Renaissance, but based on ancient Greek and Roman models. ]]></note></mads>