<?xml version="1.0" encoding="utf-8"?><mads xmlns="http://www.loc.gov/mads/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mads/
mads.xsd"><authority><topic authority="http://AATesaurus.cultura.gencat.cat/aat/getty_en">encarnacione</topic></authority><related type="other"><topic>carnation</topic></related><related type="broader"><topic>painting techniques for special effects</topic></related><variant type="other"><topic>carnation</topic></variant><variant type="other"><topic>encarnado</topic></variant> <note xml:lang="en"><![CDATA[ Technique involving the working of the surface of certain areas of a painting or polychromed carved figure to imitate the color and shading of human flesh; usually referring to Caucasian flesh color. The term was first coined in reference to Spanish art, but may be applied to any western art; particularly in use prior to the early 1900s. In some cases, certain artists specialized in encarnacione, while other artists would paint drapery, landscape, and other areas of the work. ]]></note></mads>