<?xml version="1.0" encoding="utf-8"?><mads xmlns="http://www.loc.gov/mads/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mads/
mads.xsd"><authority><topic authority="http://AATesaurus.cultura.gencat.cat/aat/getty_en">panel paintings</topic></authority><related type="narrower"><topic>spalliere</topic></related><related type="narrower"><topic>cornice pictures</topic></related><related type="narrower"><topic>biccherne</topic></related><related type="narrower"><topic>guild boards</topic></related><related type="other"><topic>tavolette</topic></related><related type="other"><topic>panel painters</topic></related><related type="broader"><topic>paintings by form</topic></related><variant type="other"><topic>paintings, panel</topic></variant><variant type="other"><topic>panel painting</topic></variant><variant type="other"><topic>panel-paintings</topic></variant><variant type="other"><topic>panels</topic></variant> <note xml:lang="en"><![CDATA[ Refers to paintings on wooden supports, including smaller portable paintings and medium-sized paintings, such as altarpieces, for which several planks of wood were joined to form a larger panel. The term is typically used to refer to paintings on a wooden support in Western art, generally dating from ancient Greece and Rome through the Renaissance, after which time canvas became the standard support for paintings in this size range. Panel paintings are still common today in Greek and Russian Orthodox icons. ]]></note></mads>