<?xml version="1.0" encoding="utf-8"?><mads xmlns="http://www.loc.gov/mads/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mads/
mads.xsd"><authority><topic authority="http://AATesaurus.cultura.gencat.cat/aat/getty_en">printing-out paper</topic></authority><related type="narrower"><topic>aristo paper</topic></related><related type="narrower"><topic>solio paper</topic></related><related type="narrower"><topic>albumen paper</topic></related><related type="other"><topic>developing-out paper</topic></related><related type="broader"><topic>photographic paper</topic></related><variant type="other"><topic>printing-out papers</topic></variant><variant type="other"><topic>P.O.P.</topic></variant><variant type="other"><topic>POP</topic></variant><variant type="other"><topic>print out paper</topic></variant><variant type="other"><topic>print-out paper</topic></variant> <note xml:lang="en"><![CDATA[ Photographic paper coated with silver-chloride emulsions, typically made of gelatin but sometimes of collodion. It was designed for the production of a photographic print from a negative by the action of light alone on light-sensitive material, rather than by development using chemicals. It was in general use, particularly for portraiture, from the 1880s until the late 1920s when developing-out paper became more popular. Because the paper needed to be in contact with the negative until the image was completely visible, a second print could not be started until the first was complete. Photographs made on printing-out paper can have either glossy or matte surfaces and typically have warm image tones. ]]></note></mads>